Working on heads!

So I have been working the last few days on my head sculpting, just doing studies, little speed sculpts here and there. I have been watching quite a few Ryan Kingslien videos on youtube. I thought I would share one of them with you. It is called "Sculpting the face" He gives not only great tips about the anatomy of the face. But he talks a lot about what it means to be a professional, what you can do to get better, and overall how to approach things.  I want to go over these images I have posted, and label all the parts of the face. The best way to learn, is to give something a name. It's high tide I learned them all! Anyway, Here is another home doodle. :)

Different ways to think about your Goals for personal art:

I have always taken the approach with this blog to just post up my artwork. Rarely do I post anything without an artwork update. I feel that isn't as helpful to myself or to you, my fellow artists, professionals, and the overall community at large. We should be sharing our ideas. We should be spreading them and working collectively towards becoming masters of our craft.

Let's talk about personal artwork goals for a minute. I don't want this to be confused with contributing to a side project. I am talking about going through the motions of just making a character for yourself and your own satisfaction. Most people think of things in terms of goals. It is in our nature. When it comes to creating a AAA game character there is a very clear road to follow. Block out, High Poly, Low Poly, Bake, Texture, Rig, Animate.

There are steps in between, but this is the basic road map. While this works on a professional level, I find it difficult for these goals to push me when making personal artwork. In the end I find that having a singular final render as a goal isn't always enough. In the end it becomes a file on my hard drive and a still image (maybe a video turn around) on a website. This isn't a bad thing. It's great we can all share these works. I am not downplaying their awesomeness for one minute. For myself though, that hasn't been enough. Everything ends up feeling like it is just practice outside of work. It is too easy to abandon a personal character work early on, and move onto sculpting something else.

What I have concluded is that I have needed a shift in goals. I need to make things that are more tangible for me. I got into the art field because I wanted to create pictures. I love sculpting, I love making characters for games at work, but I still haven't found myself personally satisfied. I believe I have found a way to change that by shifting my goals.

My goals now are to create illustrations and art series pieces based on my high poly works. My new goals go as followed:

1. Decide/Design the character you wish to make. (Keep in mind all of the following steps when designing.
2. Plan out the art series. (I feel some of this you can freeball as you go, but you should at least give it a thought)
   - How many pieces do you want make?
   - How do you want each piece lit?
   - How do you want to pose your character for each illustration?
   - Do you want to make album covers?
   - Do you want to split a render up into 2 or 3 panels?
   - Do you want anything printed on canvas?
   - Do you want to mount this stuff on board? Etc, etc.
   - What pose do you want the 3D print to be in?
3. Make the high poly character.
4. PolyPaint/3D paint it.
5. Build a low poly and bake everything (This to me is an optional step, it's all about what I wanna do with it right?)
6. Pose out your high poly in the various poses and scenarios you need/want for your art series.
7. Get the digital sculpture 3D printed in the pose of your choice
8. Render your character in various lighting moods.
9. Photo shop those images and turn them into illustrations with different moods and environments.
10. Get them printed on board, or canvas, or whatever. Get the sculpture 3D printed as well. Get this stuff physical.
    Step 10 is the most important step to me. Make it real. Make the art you want to make. For me I always have wanted to make paintings and things for people to physically see, something they can hold, touch, hang up, look at, pass out, show off in the home. Don't let your creation be another file on a hard drive. This methodology hits my personal artistic goals while using everything I have learned.

We create beautiful pieces of 3D art that we usually pose once, render out, and call it a day. But because we have this 3D work, we need to take advantage of our ability to pose it, and light it as much as we want, and get drastically different art pieces. You can turn 1 character into a series of 2 – 5 completely different illustrations. You can get creative with text. You can make album covers, book covers, illustration panels, etc etc.

Just typing all this gets me excited. I am excited because I feel it give my work purpose, meaning, longevity, and most importantly it gives me a clear goal when I am making a piece. It makes creating the character just one small piece of a greater whole (just like a character in a game) but all the work is focused on that character you have created. With just 3 characters, you could make an entire gallery of things that people and yourself can enjoy.

The main thing I am trying to communicate is this. If you find yourself struggling to finish personal art. If you find yourself struggling to create it. Re-shift your entire perception on what your overall goal as an artist is. Gear your personal work to what you would like to see. You may find you finish more art.  

Practice vs. Practical

I normally don't take the proper time on this here blog to post any sort of useful knowledge or insight. I think I should try to change that up a bit. I am still pretty lazy about posting, but I am going to try and be less so :)

Today I want to write about Practice vs. Practicality

Currently I am working on taking my base body (Pictured in the post below) and turning it into a super buff or "Hulked" out version (Pictured with this post).

I have plans for two new character projects. I am keeping them a secret for now :P

Both of these projects will be using this base body as a jumping off point, and I may use this base body for another character after that. This is not cheating! This is being practical. I find now a days I don't have the time to make art the way I used to. Not because I don't want to. But I work full time, I enjoy hanging with my friends, getting married, etc etc. While its always good to practice and do things from scratch for personal work, I find that just isn't always practical. I finish less new art, and I learn less over time. By recycling, tweaking, using almost done things as jumping off points for other things, I find can be more creative than starting from scratch on everything. While I won't use this base body for every piece of art going forward, I at least now have a tool for making a few complete pieces. If you find yourself not having as much time to create something new, take something else and work with it to get something together in a minimal amount of time. This may seem obvious to some, but the reality is. Practice is good, practice makes perfect. But practice doesn’t always finish a new piece of art. For that, sometimes we just need to be practical.

Been awhile since my last post. I finished up a new base body to work from. This body is going to be the base for my next 2 character sculpts. Should probably get around to building the Low Poly for my rage demon guy as well..... haha

Sunday Doodles

Hey Everyone, just a doodle I have been messing around with. Just wanted to practice my forms and try to bust out a decent head in a short amount of time.

Final Image For First Half of Creature Class

This is my interpretation of the Yeti.

I wanted him to feel as though he is self aware, not just another animal. I also wanted him to feel like an Elder Yeti of a kind of animal pack or clan. Through evolution the Yeti species began to have hair that changes from white when they are young , to an orange color as they age.  This allows them to be hunted more easily by predators as to keep their numbers low so they can stay a secluded race... However the Yeti even with age is still good at hunting and hiding. I wouldn't want to run into the young or the old of this Legendary race......

Creatures Week 004

Here is an update of my week 4 assignment. :)

Classwork week 3 assignment

Hey Everyone. Once again it is late as hell and I am posting up my homework haha. This week we refined our designs from paint overs we did of our characters. We added hair and choose basically the direction and design we wanted to run with. I am going for an elder yeti. Someone who looks wise and sentient.

Speed Sculpt tonight

Hey everyone, Speed sculpt before bed. This isn't for class. I just wanted to bust something out before bed.

Creatures and such

Hey everyone,

So I have been taking a creature modeling class online at cg workshops. Here is some of my week one speed sculpts. the Subject matter is "Yeti" I would write more, but I'm tired haha. Also, there is an update of the rage demon guy I have been working on. Enjoy :)

RAGE Mutant

It's been quite awhile since I updated this blog, or even had it open to the public. I have decided it is about time to open it back up and allow people to see what I am working on. I can't promise to update often, but I can try to at least update! :) That being said, I am working on a mini character that can fit in RAGE. The idea was to use Bobo the Seal's Demon SDK as the base mesh and build something that looks like it could belong in RAGE. It has since grown a bit beyond the original SDK, but Bobo needs credit for the base mesh none the less! haha. (Links provided at the end to his work)

In these images you can see some of my process for personal works. I usually have a rough idea in my head that I flesh out in the 3D process. I sometimes do paint overs or concept things I like, or am unsure of. However, mainly I try to design in 3D for mini projects like this. I let the cahracter take on a life of its own and find itself. I do make sure in the initial planning phase though to block out everything I think I want represented in just basic shapes or primitives. I can get an idea of balance and where it's headed. If I can say anythign about character or design its this. Don't be afraid in your personal work to gut something and do something different. If it isn't working don't just force it cause you want it. Make sure it makes sense. Make sure it fits your goals, keep it simple, and most of all if you know something should be cooler.... make it cooler! haha. I will be re-visitnng the tire shoulder pad as it doesn't look cool enough anymore compared to the rest of the piece.

You can also see I am blocking out his presentation base early with representative shapes. It's good to think these things out early, it keeps the piece fresh and gives you a clear idea of where you are going to end up. I still have quite a bit to do on this guy, but he is coming along nicely and I am having fun!

Bobo the Seal links:

Website: http://www.bobotheseal.com/

Where I got the SDK: http://jseamanart.wordpress.com/2010/10/08/bobo-the-seal-demon-sdk/

Earthworm Jim Head Sculpt Final

Hey Everyone,

I know it's been a long while since i updated. I went back to an old model that I wanted to finish up. It took about a week on my spare time, but I give you the finished Earthworm Jim head! I am going to start Re-Working his body now. Thank you everyone!

-J

More Guilty Party!

Hey Everyone,

I posted up 2 new guilty part screenshots in the guilty party post. They have now shown the nurse character I worked on woot!

Prop Bust

It's been a little while since I have updated what I have been up to. So here is a little taste. This was done for Sony about 2 months ago. It wasn't meant to be for a character, it was a prop bust for an environment. I had about 8 hours total to sculpt and refine it, and while the time was crunched I was overall pleased with what I was able to do in just a work day. I was responsible for the sculpt, another artist took it, made a low poly and textured it.

Guilty Party Announced!

Hey Everyone!
So a game I worked on last year has finally been announced so I think it is safe to post up images of the characters they have shown off in the screen shots. I will post others as they show more characters. You can read a preview over at Kotaku. I am quite excited!

http://kotaku.com/5479479/disneys-guilty-party-a-whodunnit-of-mini+games

New Art

Jim Update!

Hey Everyone. Here is a Jim Update!. All the bells and whistles from the previous update are turned off at the moment. I have been concentrating on restructuring the anatomy. I am using Bridgeman, Hampton, and Muscle magazines as ref for this guy. Mudbox is an amazing tool.

Earthworm Jim 9/25/09 update

I finally finished modeling all the base meshes for Jim. I have been busy looking for a job lately so I haven't had as much time to put into him as I would like.

2D Finals

Here are the renders from 2D.

It was a really fun project. I may tweak a few things. The top render is a beauty shot, The second image is real time. The Third Image are the wires, the fourth is the Sculpt, and the fifth are the Texture Sheets. The specs are
: 1x 2048 Diffuse
1x 2048 Spec
1x 2048 Normal
9,322 Tri's

Google O3D

I was part of the development team that made the beach demo for Google's O3D Browser based rendering engine. I am responsible for terrain modeling/texturing, layout, various foliage models/textures, tribal props. Here is the video we showed off in the engine.